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The Sleeper

by Edgar Allan Poe
  At midnight, in the month of June,
  I stand beneath the mystic moon.
  An opiate vapor, dewy, dim,
  Exhales from out her golden rim,
  And, softly dripping, drop by drop,
  Upon the quiet mountain top,
  Steals drowsily and musically
  Into the universal valley.
  The rosemary nods upon the grave;
  The lily lolls upon the wave;
  Wrapping the fog about its breast,
  The ruin moulders into rest;
  Looking like Lethe, see! the lake
  A conscious slumber seems to take,
  And would not, for the world, awake.
  All Beauty sleeps!–and lo! where lies
  (Her casement open to the skies)
  Irene, with her Destinies!

  Oh, lady bright! can it be right–
  This window open to the night!
  The wanton airs, from the tree-top,
  Laughingly through the lattice-drop–
  The bodiless airs, a wizard rout,
  Flit through thy chamber in and out,
  And wave the curtain canopy
  So fitfully–so fearfully–
  Above the closed and fringed lid
  ‘Neath which thy slumb’ring soul lies hid,
  That, o’er the floor and down the wall,
  Like ghosts the shadows rise and fall!
  Oh, lady dear, hast thou no fear?
  Why and what art thou dreaming here?
  Sure thou art come o’er far-off seas,
  A wonder to these garden trees!
  Strange is thy pallor! strange thy dress!
  Strange, above all, thy length of tress,
  And this all-solemn silentness!

  The lady sleeps! Oh, may her sleep
  Which is enduring, so be deep!
  Heaven have her in its sacred keep!
  This chamber changed for one more holy,
  This bed for one more melancholy,
  I pray to God that she may lie
  For ever with unopened eye,
  While the dim sheeted ghosts go by!

  My love, she sleeps! Oh, may her sleep,
  As it is lasting, so be deep;
  Soft may the worms about her creep!
  Far in the forest, dim and old,
  For her may some tall vault unfold–
  Some vault that oft hath flung its black
  And winged panels fluttering back,
  Triumphant, o’er the crested palls,
  Of her grand family funerals–
  Some sepulchre, remote, alone,
  Against whose portal she hath thrown,
  In childhood many an idle stone–
  Some tomb from out whose sounding door
  She ne’er shall force an echo more,
  Thrilling to think, poor child of sin!
  It was the dead who groaned within.

by Emily Dickinson

If you were coming in the fall,
I’d brush the summer by
With half a smile and half a spurn,
As housewives do a fly.

If I could see you in a year,
I’d wind the months in balls,
And put them each in separate drawers,
Until their time befalls.

If only centuries delayed,
I’d count them on my hand,
Subtracting till my fingers dropped
Into Van Diemen’s land.

If certain, when this life was out,
That yours and mine should be,
I’d toss it yonder like a rind,
And taste eternity.

But now, all ignorant of the length
Of time’s uncertain wing,
It goads me, like the goblin bee,
That will not state its sting.

To My Mother

by Edgar Allan Poe
  Because I feel that, in the Heavens above,
    The angels, whispering to one another,
  Can find, among their burning terms of love,
    None so devotional as that of “Mother,”
  Therefore by that dear name I long have called you–
    You who are more than mother unto me,
  And fill my heart of hearts, where Death installed you,
    In setting my Virginia’s spirit free.
  My mother–my own mother, who died early,
    Was but the mother of myself; but you
  Are mother to the one I loved so dearly,
    And thus are dearer than the mother I knew
  By that infinity with which my wife
    Was dearer to my soul than its soul-life.

Voices of the Night

by Henry Wadsworth Longfellow

Pleasant it was, when woods were green,
  And winds were soft and low,
To lie amid some sylvan scene.
Where, the long drooping boughs between,
Shadows dark and sunlight sheen
  Alternate come and go;

Or where the denser grove receives
  No sunlight from above,
But the dark foliage interweaves
In one unbroken roof of leaves,
Underneath whose sloping eaves
  The shadows hardly move.

Beneath some patriarchal tree
  I lay upon the ground;
His hoary arms uplifted he,
And all the broad leaves over me
Clapped their little hands in glee,
  With one continuous sound;–

A slumberous sound, a sound that brings
  The feelings of a dream,
As of innumerable wings,
As, when a bell no longer swings,
Faint the hollow murmur rings
  O’er meadow, lake, and stream.

And dreams of that which cannot die,
  Bright visions, came to me,
As lapped in thought I used to lie,
And gaze into the summer sky,
Where the sailing clouds went by,
  Like ships upon the sea;

Dreams that the soul of youth engage
  Ere Fancy has been quelled;
Old legends of the monkish page,
Traditions of the saint and sage,
Tales that have the rime of age,
  And chronicles of Eld.

And, loving still these quaint old themes,
  Even in the city’s throng
I feel the freshness of the streams,
That, crossed by shades and sunny gleams,
Water the green land of dreams,
  The holy land of song.

Therefore, at Pentecost, which brings
  The Spring, clothed like a bride,
When nestling buds unfold their wings,
And bishop’s-caps have golden rings,
Musing upon many things,
  I sought the woodlands wide.

The green trees whispered low and mild;
  It was a sound of joy!
They were my playmates when a child,
And rocked me in their arms so wild!
Still they looked at me and smiled,
  As if I were a boy;

And ever whispered, mild and low,
  “Come, be a child once more!”
And waved their long arms to and fro,
And beckoned solemnly and slow;
O, I could not choose but go
  Into the woodlands hoar,–

Into the blithe and breathing air,
  Into the solemn wood,
Solemn and silent everywhere
Nature with folded hands seemed there
Kneeling at her evening prayer!
  Like one in prayer I stood.

Before me rose an avenue
  Of tall and sombrous pines;
Abroad their fan-like branches grew,
And, where the sunshine darted through,
Spread a vapor soft and blue,
  In long and sloping lines.

And, falling on my weary brain,
  Like a fast-falling shower,
The dreams of youth came back again,
Low lispings of the summer rain,
Dropping on the ripened grain,
  As once upon the flower.

Visions of childhood!  Stay, O stay!
  Ye were so sweet and wild!
And distant voices seemed to say,
“It cannot be!  They pass away!
Other themes demand thy lay;
  Thou art no more a child!

“The land of Song within thee lies,
  Watered by living springs;
The lids of Fancy’s sleepless eyes
Are gates unto that Paradise,
Holy thoughts, like stars, arise,
  Its clouds are angels’ wings.

“Learn, that henceforth thy song shall be,
  Not mountains capped with snow,
Nor forests sounding like the sea,
Nor rivers flowing ceaselessly,
Where the woodlands bend to see
  The bending heavens below.

“There is a forest where the din
  Of iron branches sounds!
A mighty river roars between,
And whosoever looks therein
Sees the heavens all black with sin,
  Sees not its depths, nor bounds.

“Athwart the swinging branches cast,
  Soft rays of sunshine pour;
Then comes the fearful wintry blast
Our hopes, like withered leaves, fail fast;
Pallid lips say, ‘It is past!
  We can return no more!,

“Look, then, into thine heart, and write!
  Yes, into Life’s deep stream!
All forms of sorrow and delight,
All solemn Voices of the Night,
That can soothe thee, or affright,–
  Be these henceforth thy theme.”

The Lonely House

by Emily Dickinson

I know some lonely houses off the road
A robber ‘d like the look of, –
Wooden barred,
And windows hanging low,
Inviting to
A portico,
Where two could creep:
One hand the tools,
The other peep
To make sure all’s asleep.
Old-fashioned eyes,
Not easy to surprise!

How orderly the kitchen ‘d look by night,
With just a clock, –
But they could gag the tick,
And mice won’t bark;
And so the walls don’t tell,
None will.

A pair of spectacles ajar just stir –
An almanac’s aware.
Was it the mat winked,
Or a nervous star?
The moon slides down the stair
To see who’s there.

There’s plunder, — where?
Tankard, or spoon,
Earring, or stone,
A watch, some ancient brooch
To match the grandmamma,
Staid sleeping there.

Day rattles, too,
Stealth’s slow;
The sun has got as far
As the third sycamore.
Screams chanticleer,
“Who’s there?”
And echoes, trains away,
Sneer — “Where?”
While the old couple, just astir,
Fancy the sunrise left the door ajar!

by Emily Dickinson

Alter? When the hills do.
Falter? When the sun
Question if his glory
Be the perfect one.

Surfeit? When the daffodil
Doth of the dew:
Even as herself, O friend!
I will of you!

To Rhea

by Ralph Waldo Emerson

Thee, dear friend, a brother soothes,
Not with flatteries, but truths,
Which tarnish not, but purify
To light which dims the morning’s eye.
I have come from the spring-woods,
From the fragrant solitudes;–
Listen what the poplar-tree
And murmuring waters counselled me.

If with love thy heart has burned;
If thy love is unreturned;
Hide thy grief within thy breast,
Though it tear thee unexpressed;
For when love has once departed
From the eyes of the false-hearted,
And one by one has torn off quite
The bandages of purple light;
Though thou wert the loveliest
Form the soul had ever dressed,
Thou shalt seem, in each reply,
A vixen to his altered eye;
Thy softest pleadings seem too bold,
Thy praying lute will seem to scold;
Though thou kept the straightest road,
Yet thou errest far and broad.

But thou shalt do as do the gods
In their cloudless periods;
For of this lore be thou sure,–
Though thou forget, the gods, secure,
Forget never their command,
But make the statute of this land.
As they lead, so follow all,
Ever have done, ever shall.
Warning to the blind and deaf,
‘T is written on the iron leaf,
_Who drinks of Cupid’s nectar cup_
_Loveth downward, and not up;_
He who loves, of gods or men,
Shall not by the same be loved again;
His sweetheart’s idolatry
Falls, in turn, a new degree.
When a god is once beguiled
By beauty of a mortal child
And by her radiant youth delighted,
He is not fooled, but warily knoweth
His love shall never be requited.
And thus the wise Immortal doeth,–
‘T is his study and delight
To bless that creature day and night;
From all evils to defend her;
In her lap to pour all splendor;
To ransack earth for riches rare,
And fetch her stars to deck her hair:
He mixes music with her thoughts,
And saddens her with heavenly doubts:
All grace, all good his great heart knows,
Profuse in love, the king bestows,
Saying, ‘Hearken! Earth, Sea, Air!
This monument of my despair
Build I to the All-Good, All-Fair.
Not for a private good,
But I, from my beatitude,
Albeit scorned as none was scorned,
Adorn her as was none adorned.
I make this maiden an ensample
To Nature, through her kingdoms ample,
Whereby to model newer races,
Statelier forms and fairer faces;
To carry man to new degrees
Of power and of comeliness.
These presents be the hostages
Which I pawn for my release.
See to thyself, O Universe!
Thou art better, and not worse.’–
And the god, having given all,
Is freed forever from his thrall.

The Forest Reverie

by Edgar Allan Poe
      ‘Tis said that when
      The hands of men
    Tamed this primeval wood,
  And hoary trees with groans of wo,
  Like warriors by an unknown foe,
    Were in their strength subdued,
      The virgin Earth
      Gave instant birth
    To springs that ne’er did flow–
      That in the sun
      Did rivulets run,
  And all around rare flowers did blow–
      The wild rose pale
      Perfumed the gale,
  And the queenly lily adown the dale
      (Whom the sun and the dew
      And the winds did woo),
  With the gourd and the grape luxuriant grew.

      So when in tears
      The love of years
    Is wasted like the snow,
  And the fine fibrils of its life
  By the rude wrong of instant strife
    Are broken at a blow–
      Within the heart
      Do springs upstart
    Of which it doth now know,
      And strange, sweet dreams,
      Like silent streams
  That from new fountains overflow,
      With the earlier tide
      Of rivers glide
  Deep in the heart whose hope has died–
  Quenching the fires its ashes hide,–
    Its ashes, whence will spring and grow
      Sweet flowers, ere long,–
    The rare and radiant flowers of song!

The Conqueror Worm

by Edgar Allan Poe
  Lo! ’tis a gala night
    Within the lonesome latter years!
  An angel throng, bewinged, bedight
    In veils, and drowned in tears,
  Sit in a theatre, to see
    A play of hopes and fears,
  While the orchestra breathes fitfully
    The music of the spheres.

  Mimes, in the form of God on high,
    Mutter and mumble low,
  And hither and thither fly–
    Mere puppets they, who come and go
  At bidding of vast formless things
    That shift the scenery to and fro,
  Flapping from out their Condor wings
    Invisible Wo!

  That motley drama–oh, be sure
    It shall not be forgot!
  With its Phantom chased for evermore,
    By a crowd that seize it not,
  Through a circle that ever returneth in
    To the self-same spot,
  And much of Madness, and more of Sin,
    And Horror the soul of the plot.

  But see, amid the mimic rout
    A crawling shape intrude!
  A blood-red thing that writhes from out
    The scenic solitude!
  It writhes!–it writhes!–with mortal pangs
    The mimes become its food,
  And the angels sob at vermin fangs
    In human gore imbued.

  Out–out are the lights–out all!
    And, over each quivering form,
  The curtain, a funeral pall,
    Comes down with the rush of a storm,
  And the angels, all pallid and wan,
    Uprising, unveiling, affirm
  That the play is the tragedy, “Man,”
    And its hero the Conqueror Worm.

by Samuel Taylor Coleridge and William Wordsworth

    The Sun came up upon the right,
      Out of the Sea came he;
    And broad as a weft upon the left
      Went down into the Sea.

    And the good south wind still blew behind,
      But no sweet Bird did follow
    Ne any day for food or play
      Came to the Marinere’s hollo!

    And I had done an hellish thing
      And it would work ‘em woe:
    For all averr’d, I had kill’d the Bird
      That made the Breeze to blow.

    Ne dim ne red, like God’s own head,
      The glorious Sun uprist:
    Then all averr’d, I had kill’d the Bird
      That brought the fog and mist.
    ‘Twas right, said they, such birds to slay
      That bring the fog and mist.

    The breezes blew, the white foam flew,
      The furrow follow’d free:
    We were the first that ever burst
      Into that silent Sea.

    Down dropt the breeze, the Sails dropt down,
      ‘Twas sad as sad could be
    And we did speak only to break
      The silence of the Sea.

    All in a hot and copper sky
      The bloody sun at noon,
    Right up above the mast did stand,
      No bigger than the moon.

    Day after day, day after day,
      We stuck, ne breath ne motion,
    As idle as a painted Ship
      Upon a painted Ocean.

    Water, water, every where
      And all the boards did shrink;
    Water, water, every where,
      Ne any drop to drink.

    The very deeps did rot: O Christ!
      That ever this should be!
    Yea, slimy things did crawl with legs
      Upon the slimy Sea.

    About, about, in reel and rout
      The Death-fires danc’d at night;
    The water, like a witch’s oils,
      Burnt green and blue and white.

    And some in dreams assured were
      Of the Spirit that plagued us so:
    Nine fathom deep he had follow’d us
      From the Land of Mist and Snow.

    And every tongue thro’ utter drouth
      Was wither’d at the root;
    We could not speak no more than if
      We had been choked with soot.

    Ah wel-a-day! what evil looks
      Had I from old and young;
    Instead of the Cross the Albatross
      About my neck was hung.

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