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Carving a Name

by Horatio Alger, Jr.

I wrote my name upon the sand,
  And trusted it would stand for aye;
But, soon, alas! the refluent sea
  Had washed my feeble lines away.

I carved my name upon the wood,
  And, after years, returned again;
I missed the shadow of the tree
  That stretched of old upon the plain.

To solid marble next, my name
  I gave as a perpetual trust;
An earthquake rent it to its base,
  And now it lies, o’erlaid with dust.

All these have failed. In wiser mood
  I turn and ask myself, “What then?”
If I would have my name endure,
  I’ll write it on the hearts of men,

In characters of living light,
  Of kindly deeds and actions wrought.
And these, beyond the touch of time,
  Shall live immortal as my thought.

SUMMER HOURS

by Horatio Alger, Jr.
It is the year’s high noon,
  The earth sweet incense yields,
  And o’er the fresh, green fields
Bends the clear sky of June.

I leave the crowded streets,
  The hum of busy life,
  Its clamor and its strife,
To breathe thy perfumed sweets.

O rare and golden hours!
  The bird’s melodious song,
  Wavelike, is borne along
Upon a strand of flowers.

I wander far away,
  Where, through the forest trees,
  Sports the cool summer breeze,
In wild and wanton play.

A patriarchal elm
  Its stately form uprears,
  Which twice a hundred years
Has ruled this woodland realm.

I sit beneath its shade,
  And watch, with careless eye,
  The brook that babbles by,
And cools the leafy glade.

In truth I wonder not,
  That in the ancient days
  The temples of God’s praise
Were grove and leafy grot.

The noblest ever planned,
  With quaint device and rare,
  By man, can ill compare
With these from God’s own hand.

Pilgrim with way-worn feet,
  Who, treading life’s dull round,
  No true repose hast found,
Come to this green retreat.

For bird, and flower, and tree,
  Green fields, and woodland wild,
  Shall bear, with voices mild,
Sweet messages to thee.

by Emily Dickinson

If you were coming in the fall,
I’d brush the summer by
With half a smile and half a spurn,
As housewives do a fly.

If I could see you in a year,
I’d wind the months in balls,
And put them each in separate drawers,
Until their time befalls.

If only centuries delayed,
I’d count them on my hand,
Subtracting till my fingers dropped
Into Van Diemen’s land.

If certain, when this life was out,
That yours and mine should be,
I’d toss it yonder like a rind,
And taste eternity.

But now, all ignorant of the length
Of time’s uncertain wing,
It goads me, like the goblin bee,
That will not state its sting.

by Emily Dickinson

A wounded deer leaps highest,
I’ve heard the hunter tell;
‘T is but the ecstasy of death,
And then the brake is still.

The smitten rock that gushes,
The trampled steel that springs;
A cheek is always redder
Just where the hectic stings!

Mirth is the mail of anguish,
In which it cautions arm,
Lest anybody spy the blood
And “You’re hurt” exclaim!

To Isadore

by Edgar Allan Poe
I.       Beneath the vine-clad eaves,
             Whose shadows fall before
             Thy lowly cottage door–
         Under the lilac’s tremulous leaves–
         Within thy snowy clasped hand
             The purple flowers it bore.
         Last eve in dreams, I saw thee stand,
         Like queenly nymph from Fairy-land–
         Enchantress of the flowery wand,
             Most beauteous Isadore!
II.      And when I bade the dream
             Upon thy spirit flee,
             Thy violet eyes to me
         Upturned, did overflowing seem
         With the deep, untold delight
             Of Love’s serenity;
         Thy classic brow, like lilies white
         And pale as the Imperial Night
         Upon her throne, with stars bedight,
             Enthralled my soul to thee!
III.     Ah! ever I behold
             Thy dreamy, passionate eyes,
             Blue as the languid skies
         Hung with the sunset’s fringe of gold;
         Now strangely clear thine image grows,
             And olden memories
         Are startled from their long repose
         Like shadows on the silent snows
         When suddenly the night-wind blows
             Where quiet moonlight lies.
IV.      Like music heard in dreams,
             Like strains of harps unknown,
             Of birds for ever flown,–
         Audible as the voice of streams
         That murmur in some leafy dell,
             I hear thy gentlest tone,
         And Silence cometh with her spell
         Like that which on my tongue doth dwell,
         When tremulous in dreams I tell
             My love to thee alone!

V.       In every valley heard,
             Floating from tree to tree,
             Less beautiful to me,
         The music of the radiant bird,
         Than artless accents such as thine
             Whose echoes never flee!
         Ah! how for thy sweet voice I pine:–
         For uttered in thy tones benign
         (Enchantress!) this rude name of mine
             Doth seem a melody!

Miss Billy’s Decision, CHAPTER XVI

by Eleanor H. Porter

A GIRL AND A BIT OF LOWESTOFT
Immediately after breakfast the next morning,
Billy was summoned to the telephone.

“Oh, good morning, Uncle William,” she called,
in answer to the masculine voice that replied to
her “Hullo.”

“Billy, are you very busy this morning?”

“No, indeed–not if you want me.”

“Well, I do, my dear.”  Uncle William’s
voice was troubled.  “I want you to go with me,
if you can, to see a Mrs. Greggory.  She’s got a
teapot I want.  It’s a genuine Lowestoft, Harlow
says.  Will you go?”

“Of course I will!  What time?”

“Eleven if you can, at Park Street.  She’s
at the West End.  I don’t dare to put it off for
fear I’ll lose it.  Harlow says others will have to
know of it, of course.  You see, she’s just made up
her mind to sell it, and asked him to find a
customer.  I wouldn’t trouble you, but he says
they’re peculiar–the daughter, especially–and
may need some careful handling.  That’s why I
wanted you–though I wanted you to see the tea-pot,
too,–it’ll be yours some day, you know.”

Billy, all alone at her end of the line, blushed.
That she was one day to be mistress of the Strata
and all it contained was still anything but “common”
to her.

“I’d love to see it, and I’ll come gladly; but
I’m afraid I won’t be much help, Uncle William,”
she worried.

“I’ll take the risk of that.  You see, Harlow
says that about half the time she isn’t sure she
wants to sell it, after all.”

“Why, how funny!  Well, I’ll come.  At
eleven, you say, at Park Street?”

“Yes; and thank you, my dear.  I tried to
get Kate to go, too; but she wouldn’t.  By the
way, I’m going to bring you home to luncheon.
Kate leaves this afternoon, you know, and it’s
been so snowy she hasn’t thought best to try to
get over to the house.  Maybe Aunt Hannah would
come, too, for luncheon.  Would she?”

“I’m afraid not,” returned Billy, with a rueful
laugh.  “She’s got _three_ shawls on this morning,
and you know that always means that she’s
felt a draft somewhere–poor dear.  I’ll tell her,
though, and I’ll see you at eleven,” finished Billy,
as she hung up the receiver.

Promptly at the appointed time Billy met Uncle
William at Park Street, and together they set
out for the West End street named on the paper
in his pocket.  But when the shabby house on
the narrow little street was reached, the man looked
about him with a troubled frown.

“I declare, Billy, I’m not sure but we’d better
turn back,” he fretted.  “I didn’t mean to take
you to such a place as this.”

Billy shivered a little; but after one glance at
the man’s disappointed face she lifted a determined
chin.

“Nonsense, Uncle William!  Of course you
won’t turn back.  I don’t mind–for myself;
but only think of the people whose _homes_ are
here,” she finished, just above her breath.

Mrs. Greggory was found to be living in two
back rooms at the top of four flights of stairs,
up which William Henshaw toiled with increasing
weariness and dismay, punctuating each flight
with a despairing:  “Billy, really, I think we
should turn back!”

But Billy would not turn back, and at last
they found themselves in the presence of a white-
haired, sweet-faced woman who said yes, she
was Mrs. Greggory; yes, she was.  Even as she
uttered the words, however, she looked fearfully
over her shoulders as if expecting to hear from
the hall behind them a voice denying her assertion.

Mrs. Greggory was a cripple.  Her slender
little body was poised on two once-costly crutches.
Both the worn places on the crutches, and the
skill with which the little woman swung herself
about the room testified that the crippled condition
was not a new one.

Billy’s eyes were brimming with pity and
dismay.  Mechanically she had taken the chair
toward which Mrs. Greggory had motioned her.
She had tried not to seem to look about her; but
there was not one detail of the bare little room,
from its faded rug to the patched but spotless
tablecloth, that was not stamped on her brain.

Mrs. Greggory had seated herself now, and
William Henshaw had cleared his throat nervously.
Billy did not know whether she herself were the
more distressed or the more relieved to hear him
stammer:

“We–er–I came from Harlow, Mrs. Greggory.
He gave me to understand you had an–
er–teapot that–er–”  With his eyes on
the cracked white crockery pitcher on the table,
William Henshaw came to a helpless pause.

A curious expression, or rather, series of
expressions crossed Mrs. Greggory’s face.  Terror,
joy, dismay, and relief seemed, one after the other
to fight for supremacy.  Relief in the end
conquered, though even yet there was a second
hurriedly apprehensive glance toward the door
before she spoke.

“The Lowestoft!  Yes, I’m so glad!–that
is, of course I must be glad.  I’ll get it.”  Her
voice broke as she pulled herself from her chair.
There was only despairing sorrow on her face
now.

The man rose at once.

“But, madam, perhaps–don’t let me–”  I
he began stammeringly.  “Of course–Billy!”
he broke off in an entirely different voice.  “Jove!
What a beauty!”

Mrs. Greggory had thrown open the door of
a small cupboard near the collector’s chair,
disclosing on one of the shelves a beautifully shaped
teapot, creamy in tint, and exquisitely decorated
in a rose design.  Near it set a tray-like plate of
the same ware and decoration.

“If you’ll lift it down, please, yourself,”
motioned Mrs. Greggory.  “I don’t like to–with
these,” she explained, tapping the crutches at
her side.

With fingers that were almost reverent in their
appreciation, the collector reached for the teapot.
His eyes sparkled.

“Billy, look, what a beauty!  And it’s a
Lowestoft, too, the real thing–the genuine, true soft
paste!  And there’s the tray–did you notice?”
he exulted, turning back to the shelf.  “You
_don’t_ see that every day!  They get separated,
most generally, you know.”

“These pieces have been in our family for
generations,” said Mrs. Greggory with an accent
of pride.  “You’ll find them quite perfect, I
think.”

“Perfect!  I should say they were,” cried the
man.

“They are, then–valuable?” Mrs. Greggory’s
voice shook.

“Indeed they are!  But you must know that.”

“I have been told so.  Yet to me their chief
value, of course, lies in their association.  My
mother and my grandmother owned that teapot,
sir.”  Again her voice broke.

William Henshaw cleared his throat.

“But, madam, if you do not wish to sell–”
He stopped abruptly.  His longing eyes had gone
back to the enticing bit of china.

Mrs. Greggory gave a low cry.

“But I do–that is, I must.  Mr. Harlow
says that it is valuable, and that it will bring
in money; and we need–money.”  She threw
a quick glance toward the hall door, though she
did not pause in her remarks.  “I can’t do much
at work that pays.  I sew–” she nodded
toward the machine by the window–” but with
only one foot to make it go–  You see, the
other is–is inclined to shirk a little,” she finished
with a wistful whimsicality.

Billy turned away sharply.  There was a lump
in her throat and a smart in her eyes.  She was
conscious suddenly of a fierce anger against–
she did not know what, exactly; but she fancied
it was against the teapot, or against Uncle William
for wanting the teapot, or for _not_ wanting
it–if he did not buy it.

“And so you see, I do very much wish to sell,”

Mrs. Greggory said then.  “Perhaps you will
tell me what it would be worth to you,” she concluded
tremulously.

The collector’s eyes glowed.  He picked up
the teapot with careful rapture and examined
it.  Then he turned to the tray.  After a moment
he spoke.

“I have only one other in my collection as
rare,” he said.  “I paid a hundred dollars for
that.  I shall be glad to give you the same for
this, madam.”

Mrs. Greggory started visibly.

“A hundred dollars?  So much as that?” she
cried almost joyously.  “Why, nothing else that
we’ve had has brought–  Of course, if it’s worth
that to you–”  She paused suddenly.  A quick
step had sounded in the hall outside.  The next
moment the door flew open and a young woman,
who looked to be about twenty-three or twenty-
four years old, burst into the room.

“Mother, only think, I’ve–”  She stopped,
and drew back a little.  Her startled eyes went
from one face to another, then dropped to
the Lowestoft teapot in the man’s hands.  Her
expression changed at once.  She shut the door
quickly and hurried forward.

“Mother, what is it?  Who are these people?”
she asked sharply.

Billy lifted her chin the least bit.  She was
conscious of a feeling which she could not name:
Billy was not used to being called “these people”
in precisely that tone of voice.  William Henshaw,
too, raised his chin.  He, also, was not in the habit
of being referred to as “these people.”

“My name is Henshaw, Miss–Greggory, I
presume,” he said quietly.  “I was sent here by
Mr. Harlow.”

“About the teapot, my dear, you know,”
stammered Mrs. Greggory, wetting her lips with
an air of hurried apology and conciliation.  “This
gentleman says he will be glad to buy it.  Er–
my daughter, Alice, Mr. Henshaw,” she hastened
on, in embarrassed introduction; “and Miss–”

“Neilson,” supplied the man, as she looked at
Billy, and hesitated.

A swift red stained Alice Greggory’s face.  With
barely an acknowledgment of the introductions
she turned to her mother.

“Yes, dear, but that won’t be necessary now.
As I started to tell you when I came in, I have two
new pupils; and so”–turning to the man again
“I thank you for your offer, but we have decided
not to sell the teapot at present.”  As she finished
her sentence she stepped one side as if to make
room for the strangers to reach the door.

William Henshaw frowned angrily–that was
the man; but his eyes–the collector’s eyes–
sought the teapot longingly.  Before either the
man or the collector could speak, however; Mrs.
Greggory interposed quick words of remonstrance.

“But, Alice, my dear,” she almost sobbed.
“You didn’t wait to let me tell you.  Mr. Henshaw
says it is worth a hundred dollars to him.
He will give us–a hundred dollars.”

“A hundred dollars!” echoed the girl, faintly.

It was plain to be seen that she was wavering.
Billy, watching the little scene, with mingled
emotions, saw the glance with which the girl
swept the bare little room; and she knew that
there was not a patch or darn or poverty spot in
sight, or out of sight, which that glance did not
encompass.

Billy was wondering which she herself desired
more–that Uncle William should buy the Lowestoft,
or that he should not.  She knew she wished
Mrs. Greggory to have the hundred dollars.
There was no doubt on that point.  Then Uncle
William spoke.  His words carried the righteous
indignation of the man who thinks he has been
unjustly treated, and the final plea of the collector
who sees a coveted treasure slipping from his grasp.

“I am very sorry, of course, if my offer has
annoyed you,” he said stiffly.  “I certainly
should not have made it had I not had Mrs.
Greggory’s assurance that she wished to sell the
teapot.”

Alice Greggory turned as if stung.

“_Wished to sell!_”  She repeated the words
with superb disdain.  She was plainly very angry.
Her blue-gray eyes gleamed with scorn, and her
whole face was suffused with a red that had swept
to the roots of her soft hair.  “Do you think a
woman _wishes_ to sell a thing that she’s treasured
all her life, a thing that is perhaps the last visible
reminder of the days when she was living–not
merely existing?”

“Alice, Alice, my love!” protested the sweet-
faced cripple, agitatedly.

“I can’t help it,” stormed the girl, hotly.  “I
know how much you think of that teapot that
was grandmother’s.  I know what it cost you to
make up your mind to sell it at all.  And then to
hear these people talk about your _wishing_ to
sell it!  Perhaps they think, too, we _wish_ to live
in a place like this; that we _wish_ to have rugs
that are darned, and chairs that are broken, and
garments that are patches instead of clothes!”

“Alice!” gasped Mrs. Greggory in dismayed
horror.

With a little outward fling of her two hands
Alice Greggory stepped back.  Her face had grown
white again.

“I beg your pardon, of course,” she said in a
voice that was bitterly quiet.  “I should not
have spoken so.  You are very kind, Mr. Henshaw,
but I do not think we care to sell the Lowestoft
to-day.”

Both words and manner were obviously a
dismissal; and with a puzzled sigh William Henshaw
picked up his hat.  His face showed very clearly
that he did not know what to do, or what to say;
but it showed, too, as clearly, that he longed to
do something, or say something.  During the
brief minute that he hesitated, however, Billy
sprang forward.

“Mrs. Greggory, please, won’t you let _me_ buy
the teapot?  And then–won’t you keep it for
me–here?  I haven’t the hundred dollars with
me, but I’ll send it right away.  You will let me
do it, won’t you?”

It was an impulsive speech, and a foolish one,
of course, from the standpoint of sense and logic
and reasonableness; but it was one that might be
expected, perhaps, from Billy.

Mrs. Greggory must have divined, in a way,
the spirit that prompted it, for her eyes grew wet,
and with a choking “Dear child!” she reached
out and caught Billy’s hand in both her own–
even while she shook her head in denial.

Not so her daughter.  Alice Greggory flushed
scarlet.  She drew herself proudly erect.

“Thank you,” she said with crisp coldness;
“but, distasteful as darns and patches are to us,
we prefer them, infinitely, to–charity!”

“Oh, but, please, I didn’t mean–you didn’t
understand,” faltered Billy.

For answer Alice Greggory walked deliberately
to the door and held it open.

“Oh, Alice, my dear,” pleaded Mrs. Greggory
again, feebly.

“Come, Billy!  We’ll bid you good morning,
ladies,” said William Henshaw then, decisively.
And Billy, with a little wistful pat on Mrs.
Greggory’s clasped hands, went.

Once down the long four flights of stairs and
out on the sidewalk, William Henshaw drew a long
breath.

“Well, by Jove!  Billy, the next time I take
you curio hunting, it won’t be to this place,” he
fumed.

“Wasn’t it awful!” choked Billy.

“Awful!  The girl was the most stubborn,
unreasonable, vixenish little puss I ever saw.  I
didn’t want her old Lowestoft if she didn’t want
to sell it!  But to practically invite me there, and
then treat me like that!” scolded the collector, his
face growing red with anger.  “Still, I was sorry
for the poor little old lady.  I wish, somehow, she
could have that hundred dollars!”  It was the
man who said this, not the collector.

“So do I,” rejoined Billy, dolefully.  “But
that girl was so–so queer!” she sighed, with a
frown.  Billy was puzzled.  For the first time,
perhaps, in her life, she knew what it was to have
her proffered “ice cream” disdainfully refused.

To the River

by Edgar Allan Poe
  Fair river! in thy bright, clear flow
    Of crystal, wandering water,
  Thou art an emblem of the glow
        Of beauty–the unhidden heart–
        The playful maziness of art
    In old Alberto’s daughter;

  But when within thy wave she looks–
    Which glistens then, and trembles–
  Why, then, the prettiest of brooks
    Her worshipper resembles;
  For in his heart, as in thy stream,
    Her image deeply lies–
  His heart which trembles at the beam
    Of her soul-searching eyes.

The Forest Reverie

by Edgar Allan Poe
      ‘Tis said that when
      The hands of men
    Tamed this primeval wood,
  And hoary trees with groans of wo,
  Like warriors by an unknown foe,
    Were in their strength subdued,
      The virgin Earth
      Gave instant birth
    To springs that ne’er did flow–
      That in the sun
      Did rivulets run,
  And all around rare flowers did blow–
      The wild rose pale
      Perfumed the gale,
  And the queenly lily adown the dale
      (Whom the sun and the dew
      And the winds did woo),
  With the gourd and the grape luxuriant grew.

      So when in tears
      The love of years
    Is wasted like the snow,
  And the fine fibrils of its life
  By the rude wrong of instant strife
    Are broken at a blow–
      Within the heart
      Do springs upstart
    Of which it doth now know,
      And strange, sweet dreams,
      Like silent streams
  That from new fountains overflow,
      With the earlier tide
      Of rivers glide
  Deep in the heart whose hope has died–
  Quenching the fires its ashes hide,–
    Its ashes, whence will spring and grow
      Sweet flowers, ere long,–
    The rare and radiant flowers of song!

Miss Billy’s Decision, CHAPTER XV

by Eleanor H. Porter

“MR. BILLY” AND “MISS MARY JANE”
On the fourteenth of December Billy came
down-stairs alert, interested, and happy.  She
had received a dear letter from Bertram (mailed
on the way to New York), the sun was shining,
and her fingers were fairly tingling to put on paper
the little melody that was now surging riotously
through her brain.  Emphatically, the restlessness
of the day before was gone now.  Once more
Billy’s “clock” had “begun to tick.”

After breakfast Billy went straight to the
telephone and called up Arkwright.  Even one
side of the conversation Aunt Hannah did not
hear very clearly; but in five minutes a radiant-
faced Billy danced into the room.

“Aunt Hannah, just listen!  Only think–
Mary Jane wrote the words himself, so of course
I can use them!”

“Billy, dear, _can’t_ you say `Mr. Arkwright’?”
pleaded Aunt Hannah.

Billy laughed and gave the anxious-eyed little
old lady an impulsive hug.

“Of course!  I’ll say `His Majesty’ if you like,
dear,” she chuckled.  “But did you hear–did
you realize?  They’re his own words, so there’s
no question of rights or permission, or anything.
And he’s coming up this afternoon to hear my
melody, and to make a few little changes in the
words, maybe.  Oh, Aunt Hannah, you don’t
know how good it seems to get into my music
again!”

“Yes, yes, dear, of course; but–”  Aunt
Hannah’s sentence ended in a vaguely troubled
pause.

Billy turned in surprise.

“Why, Aunt Hannah, aren’t you glad?  You
_said_ you’d be glad!”

“Yes, dear; and I am–very glad.  It’s only
–if it doesn’t take too much time–and if
Bertram doesn’t mind.”

Billy flushed.  She laughed a little bitterly.

“No, it won’t take too much time, I fancy,
and–so far as Bertram is concerned–if what
Sister Kate says is true, Aunt Hannah, he’ll
be glad to have me occupy a little of my time with
something besides himself.”

“Fiddlededee!” bristled Aunt Hannah.

“What did she mean by that?”

Billy smiled ruefully.

“Well, probably I did need it.  She said it
night before last just before she went home with
Uncle William.  She declared that I seemed to
forget entirely that Bertram belonged to his Art
first, before he belonged to me; and that it was
exactly as she had supposed it would be–a
perfect absurdity for Bertram to think of marrying
anybody.”

“Fiddlededee!” ejaculated the irate Aunt
Hannah, even more sharply.  “I hope you have
too much good sense to mind what Kate says,
Billy.”

“Yes, I know,” sighed the girl; “but of course
I can see some things for myself, and I suppose
I did make–a little fuss about his going to
New York the other night.  And I will own that
I’ve had a real struggle with myself sometimes,
lately, not to mind–his giving so much time
to his portrait painting.  And of course both of
those are very reprehensible–in an artist’s wife,”
she finished, a little tremulously.

“Humph!  Well, I don’t think I should worry
about that,” observed Aunt Hannah with grim
positiveness.

“No, I don’t mean to,” smiled Billy, wistfully.
“I only told you so you’d understand that it
was just as well if I did have something to take
up my mind–besides Bertram.  And of course
music would be the most natural thing.”

“Yes, of course,” agreed Aunt Hannah.

“And it seems actually almost providential
that Mary–I mean Mr. Arkwright is here to
help me, now that Cyril is gone,” went on Billy,
still a little wistfully.

“Yes, of course.  He isn’t like–a stranger,”
murmured Aunt Hannah.  Aunt Hannah’s voice
sounded as if she were trying to convince herself
–of something.

“No, indeed!  He seems just like one of the
family to me, almost as if he were really–your
niece, Mary Jane,” laughed Billy.

Aunt Hannah moved restlessly.

“Billy,” she hazarded, “he knows, of course,
of your engagement?”

“Why, of course he does, Aunt Hannah
everybody does!”  Billy’s eyes were plainly surprised.

“Yes, yes, of course–he must,” subsided
Aunt Hannah, confusedly, hoping that Billy
would not divine the hidden reason behind her
question.  She was relieved when Billy’s next
words showed that she had not divined it.

“I told you, didn’t I?  He’s coming up this
afternoon.  He can’t get here till five, though;
but he’s so interested!  He’s about as crazy over
the thing as I am.  And it’s going to be fine, Aunt
Hannah, when it’s done.  You just wait and see!”
she finished gayly, as she tripped from the
room.

Left to herself, Aunt Hannah drew a long
breath.

“I’m glad she didn’t suspect,” she was
thinking.  “I believe she’d consider even the _question_
disloyal to Bertram–dear child!  And of course
Mary”–Aunt Hannah corrected herself with
cheeks aflame–“I mean Mr. Arkwright does
–know.”

It was just here, however, that Aunt Hannah
was mistaken.  Mr. Arkwright did not–know.
He had not reached Boston when the engagement
was announced.  He knew none of Billy’s friends
in town save the Henshaw brothers.  He had
not heard from Calderwell since he came to Boston.
The very evident intimacy of Billy with the
Henshaw brothers he accepted as a matter of
course, knowing the history of their acquaintance,
and the fact that Billy was Mr. William Henshaw’s
namesake.  As to Bertram being Billy’s lover–
that idea had long ago been killed at birth by
Calderwell’s emphatic assertion that the artist
would never care for any girl–except to paint.
Since coming to Boston, Arkwright had seen
little of the two together.  His work, his friends,
and his general mode of life precluded that.
Because of all this, therefore, Arkwright did not–
know; which was a pity–for Arkwright, and
for some others.

Promptly at five o’clock that afternoon,
Arkwright rang Billy’s doorbell, and was admitted
by Rosa to the living-room, where Billy was at
the piano.

Billy sprang to her feet with a joyous word of
greeting.

“I’m so glad you’ve come,” she sighed happily.
“I want you to hear the melody your pretty
words have sung to me.  Though, maybe, after
all, you won’t like it, you know,” she finished
with arch wistfulness.

“As if I could help liking it,” smiled the man,
trying to keep from his voice the ecstatic delight
that the touch of her hand had brought
him.

Billy shook her head and seated herself again
at the piano.

“The words are lovely,” she declared, sorting
out two or three sheets of manuscript music from
the quantity on the rack before her.  “But there’s
one place–the rhythm, you know–if you could
change it.  There!–but listen.  First I’m going
to play it straight through to you.”  And she
dropped her fingers to the keyboard.  The next
moment a tenderly sweet melody–with only a
chord now and then for accompaniment–filled
Arkwright’s soul with rapture.  Then Billy began
to sing, very softly, the words!

No wonder Arkwright’s soul was filled with
rapture.  They were his words, wrung straight
from his heart; and they were being sung by
the girl for whom they were written.  They
were being sung with feeling, too–so evident
a feeling that the man’s pulse quickened, and his
eyes flashed a sudden fire.  Arkwright could not
know, of course, that Billy, in her own mind, was
singing that song–to Bertram Henshaw.

The fire was still in Arkwright’s eyes when the
song was ended; but Billy very plainly did not
see it.  With a frowning sigh and a murmured
“There!” she began to talk of “rhythm” and
“accent” and “cadence”; and to point out
with anxious care why three syllables instead of
two were needed at the end of a certain line.
From this she passed eagerly to the accompaniment,
and Arkwright at once found himself lost
in a maze of “minor thirds” and “diminished
sevenths,” until he was forced to turn from the
singer to the song.  Still, watching her a little
later, he noticed her absorbed face and eager
enthusiasm, her earnest pursuance of an elusive
harmony, and he wondered: did she, or did she
not sing that song with feeling a little while before?

Arkwright had not settled this question to his
own satisfaction when Aunt Hannah came in
at half-past five, and he was conscious of a vague
disappointment as he rose to greet her.  Billy,
however, turned an untroubled face to the newcomer.

“We’re doing finely, Aunt Hannah,” she cried.
Then, suddenly, she flung a laughing question
to the man.  “How about it, sir?  Are we going
to put on the title-page:  `Words by Mary Jane
Arkwright’–or will you unveil the mystery
for us now?”

“Have you guessed it?” he bantered.

“No–unless it’s `Methuselah John.’  We
did think of that the other day.”

“Wrong again!” he laughed.

“Then it’ll have to be `Mary Jane,’ ” retorted
Billy, with calm naughtiness, refusing to meet
Aunt Hannah’s beseechingly reproving eyes.
Then suddenly she chuckled.  “It would be a
combination, wouldn’t it?  `Words by Mary
Jane Arkwright.  Music by Billy Neilson’!
We’d have sighing swains writing to `Dear Miss
Arkwright,’ telling how touching were _her_ words;
and lovelorn damsels thanking Mr. Neilson for
his soul-inspiring music!”

“Billy, my dear!” remonstrated Aunt Hannah, faintly.

“Yes, yes, I know; that was bad–and I
won’t again, truly,” promised Billy.  But her
eyes danced, and the next moment she had whirled
about on the piano stool and dashed into a Chopin
waltz.  The room itself, then, seemed to be full
of the twinkling feet of elves.

The Wife

by Emily Dickinson

She rose to his requirement, dropped
The playthings of her life
To take the honorable work
Of woman and of wife.

If aught she missed in her new day
Of amplitude, or awe,
Or first prospective, or the gold
In using wore away,

It lay unmentioned, as the sea
Develops pearl and weed,
But only to himself is known
The fathoms they abide.

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