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Age

by Walter de la Mare
This ugly old crone–
Every beauty she had
When a maid, when a maid.
Her beautiful eyes,
Too youthful, too wise,
Seemed ever to come
To so lightless a home,
Cold and dull as a stone.
And her cheeks–who would guess
Cheeks cadaverous as this
Once with colours were gay
As the flower on its spray?
Who would ever believe
Aught could bring one to grieve
So much as to make
Lips bent for love’s sake
So thin and so grey?
O Youth, come away!
As she asks in her lone,
This old, desolate crone.
She loves us no more;
She is too old to care
For the charms that of yore
Made her body so fair.
Past repining, past care,
She lives but to bear
One or two fleeting years
Earth’s indifference: her tears
Have lost now their heat;
Her hands and her feet
Now shake but to be
Shed as leaves from a tree;
And her poor heart beats on
Like a sea–the storm gone.

Spirk Troll-Derisive

by James Whitcomb Riley

The Crankadox leaned o’er the edge of the moon,
And wistfully gazed on the sea
Where the Gryxabodill madly whistled a tune
To the air of “Ti-fol-de-ding-dee.”

The quavering shriek of the Fliupthecreek
Was fitfully wafted afar
To the Queen of the Wunks as she powdered her cheek
With the pulverized rays of a star.

The Gool closed his ear on the voice of the Grig,
And his heart it grew heavy as lead
As he marked the Baldekin adjusting his wig
On the opposite side of his head;

And the air it grew chill as the Gryxabodill
Raised his dank, dripping fins to the skies
To plead with the Plunk for the use of her bill
To pick the tears out of his eyes.

The ghost of the Zhack flitted by in a trance;
And the Squidjum hid under a tub
As he heard the loud hooves of the Hooken advance
With a rub-a-dub-dub-a-dub dub!

And the Crankadox cried as he laid down and died,
“My fate there is none to bewail!”
While the Queen of the Wunks drifted over the tide
With a long piece of crape to her tail.

Hymm to Aristogeiton and Harmodius

by Edgar Allan Poe
  I.      Wreathed in myrtle, my sword I’ll conceal,
            Like those champions devoted and brave,
          When they plunged in the tyrant their steel,
            And to Athens deliverance gave.

  II.     Beloved heroes! your deathless souls roam
            In the joy breathing isles of the blest;
          Where the mighty of old have their home–
            Where Achilles and Diomed rest.

  III.    In fresh myrtle my blade I’ll entwine,
            Like Harmodius, the gallant and good,
          When he made at the tutelar shrine
            A libation of Tyranny’s blood.

  IV.     Ye deliverers of Athens from shame!
            Ye avengers of Liberty’s wrongs!
          Endless ages shall cherish your fame,
            Embalmed in their echoing songs!

Last Words

by Horatio Alger, Jr.

“Dear Charlie,” breathed a soldier,
  “O comrade true and tried,
Who in the heat of battle
  Pressed closely to my side;
I feel that I am stricken,
  My life is ebbing fast;
I fain would have you with me,
  Dear Charlie, till the last.

“It seems so sudden, Charlie,
  To think to-morrow’s sun
Will look upon me lifeless,
  And I not twenty-one!
I little dreamed this morning,
  Twould bring my last campaign;
God’s ways are not as our ways,
  And I will not complain.

“There’s one at home, dear Charlie,
  Will mourn for me when dead,
Whose heart–it is a mother’s–
  Can scarce be comforted.
You’ll write and tell her, Charlie,
  With my dear love, that I
Fought bravely as a soldier should,
  And died as he should die.

“And you will tell her, Charlie,
  She must not grieve too much,
Our country claims our young lives,
  For she has need of such.
And where is he would falter,
  Or turn ignobly back,
When Duty’s voice cries ‘Forward,’
  And Honor lights the track ?

“And there’s another, Charlie
  (His voice became more low),
When thoughts of HER come o’er me,
  It makes it hard to go.
This locket in my bosom,
  She gave me just before
I left my native village
  For the fearful scenes of war.

“Give her this message, Charlie,
  Sent with my dying breath,
To her and to my banner
  I’m ‘faithful unto death.’
And if, in that far country
  Which I am going to,
Our earthly ties may enter,
  I’ll there my love renew.

“Come nearer, closer, Charlie,
  My head I fain would rest,
It must be for the last time,
  Upon your faithful breast.
Dear friend, I cannot tell you
  How in my heart I feel
The depth of your devotion,
  Your friendship strong as steel.

“We’ve watched and camped together
  In sunshine and in rain;
We’ve shared the toils and perils
  Of more than one campaign;
And when my tired feet faltered,
  Beneath the noontide heat,
Your words sustained my courage,
  Gave new strength to my feet.

“And once,– ’twas at Antietam,–
  Pressed hard by thronging foes,
I almost sank exhausted
  Beneath their cruel blows,–
When you, dear friend, undaunted,
  With headlong courage threw
Your heart into the contest,
  And safely brought me through.

“My words are weak, dear Charlie,
  My breath is growing scant;
Your hand upon my heart there,
  Can you not hear me pant?
Your thoughts I know will wander
  Sometimes to where I lie–
How dark it grows! True comrade
  And faithful friend, good-by!”

A moment, and he lay there
  A statue, pale and calm.
His youthful head reclining
  Upon his comrade’s arm.
His limbs upon the greensward
  Were stretched in careless grace,
And by the fitful moon was seen
  A smile upon his face.

Miss Billy’s Decision, CHAPTER V

by Eleanor H. Porter

MARIE SPEAKS HER MIND
Billy with John and Peggy met Marie Hawthorn
at the station.  “Peggy” was short for
“Pegasus,” and was what Billy always called
her luxurious, seven-seated touring car.

“I simply won’t call it `automobile,’ ” she
had declared when she bought it.  “In the first
place, it takes too long to say it, and in the second
place, I don’t want to add one more to the nineteen
different ways to pronounce it that I hear
all around me every day now.  As for calling it
my `car,’ or my `motor car’–I should expect
to see a Pullman or one of those huge black trucks
before my door, if I ordered it by either of those
names.  Neither will I insult the beautiful thing
by calling it a `machine.’  Its name is Pegasus.
I shall call it `Peggy.’ ”

And “Peggy” she called it.  John sniffed his
disdain, and Billy’s friends made no secret of
their amused tolerance; but, in an astonishingly
short time, half the automobile owners of her
acquaintance were calling their own cars “Peggy”;
and even the dignified John himself was heard to
order “some gasoline for Peggy,” quite as a
matter of course.

When Marie Hawthorn stepped from the train
at the North Station she greeted Billy with
affectionate warmth, though at once her blue eyes
swept the space beyond expectantly and eagerly.

Billy’s lips curved in a mischievous smile.

“No, he didn’t come,” she said.  “He didn’t
want to–a little bit.”

Marie grew actually pale.

“Didn’t _want_ to!” she stammered.

Billy gave her a spasmodic hug.

“Goosey!  No, he didn’t–a _little_ bit; but
he did a great _big_ bit.  As if you didn’t know he
was dying to come, Marie!  But he simply
couldn’t–something about his concert Monday
night.  He told me over the telephone; but
between his joy that you were coming, and his
rage that he couldn’t see you the first minute
you did come, I couldn’t quite make out what was
the trouble.  But he’s coming to dinner to-night,
so he’ll doubtless tell you all about it.”

Marie sighed her relief.

“Oh, that’s all right then.  I was afraid he
was sick–when I didn’t see him.”

Billy laughed softly.

“No, he isn’t sick, Marie; but you needn’t go
away again before the wedding–not to leave
him on my hands.  I wouldn’t have believed
Cyril Henshaw, confirmed old bachelor and
avowed woman-hater, could have acted the part
of a love-sick boy as he has the last week or
two.”

The rose-flush on Marie’s cheek spread to the
roots of her fine yellow hair.

“Billy, dear, he–he didn’t!”

“Marie, dear–he–he did!”

Marie laughed.  She did not say anything,
but the rose-flush deepened as she occupied herself
very busily in getting her trunk-check from
the little hand bag she carried.

Cyril was not mentioned again until the two
girls, veils tied and coats buttoned, were snugly
ensconced in the tonneau, and Peggy’s nose was
turned toward home.  Then Billy asked:

“Have you settled on where you’re going to
live?”

“Not quite.  We’re going to talk of that
to-night; but we _do_ know that we aren’t going
to live at the Strata.”

“Marie!”

Marie stirred uneasily at the obvious
disappointment and reproach in her friend’s voice.

“But, dear, it wouldn’t be wise, I’m sure,”
she argued hastily.  “There will be you and
Bertram–”

“We sha’n't be there for a year, nearly,” cut
in Billy, with swift promptness.  “Besides, I
think it would be lovely–all together.”

Marie smiled, but she shook her head.

“Lovely–but not practical, dear.”

Billy laughed ruefully.

“I know; you’re worrying about those puddings
of yours.  You’re afraid somebody is going to
interfere with your making quite so many as you
want to; and Cyril is worrying for fear there’ll
be somebody else in the circle of his shaded lamp
besides his little Marie with the light on her hair,
and the mending basket by her side.”

“Billy, what are you talking about?”

Billy threw a roguish glance into her friend’s
amazed blue eyes.

“Oh, just a little picture Cyril drew once for
me of what home meant for him: a room with
a table and a shaded lamp, and a little woman
beside it with the light on her hair and a great
basket of sewing by her side.”

Marie’s eyes softened.

“Did he say–that?”

“Yes.  Oh, he declared he shouldn’t want her
to sit under that lamp all the time, of course;
but he hoped she’d like that sort of thing.”

Marie threw a quick glance at the stolid back
of John beyond the two empty seats in front of
them.  Although she knew he could not hear her
words, instinctively she lowered her voice.

“Did you know–then–about–me?” she
asked, with heightened color.

“No, only that there was a girl somewhere
who, he hoped, would sit under the lamp some
day.  And when I asked him if the girl did like
that sort of thing, he said yes, he thought so;
for she had told him once that the things she liked
best of all to do were to mend stockings and
make puddings.  Then I knew, of course, ’twas
you, for I’d heard you say the same thing.  So
I sent him right along out to you in the summer-
house.”

The pink flush on Marie’s face grew to a red
one.  Her blue eyes turned again to John’s broad
back, then drifted to the long, imposing line of
windowed walls and doorways on the right.  The
automobile was passing smoothly along Beacon
Street now with the Public Garden just behind
them on the left.  After a moment Marie turned
to Billy again.

“I’m so glad he wants–just puddings and
stockings,” she began a little breathlessly.  “You
see, for so long I supposed he _wouldn’t_ want anything
but a very brilliant, talented wife who could
play and sing beautifully; a wife he’d be proud
of–like you.”

“Me?  Nonsense!” laughed Billy.  “Cyril
never wanted me, and I never wanted him–only
once for a few minutes, so to speak, when I thought,
I did.  In spite of our music, we aren’t a mite
congenial.  I like people around; he doesn’t.
I like to go to plays; he doesn’t.  He likes rainy
days, and I abhor them.  Mercy!  Life with me
for him would be one long jangling discord, my
love, while with you it’ll be one long sweet song!”

Marie drew a deep breath.  Her eyes were fixed
on a point far ahead up the curveless street.

“I hope it will, indeed!” she breathed.

Not until they were almost home did Billy
say suddenly:

“Oh, did Cyril write you?  A young relative
of Aunt Hannah’s is coming to-morrow to stay
a while at the house.”

“Er–yes, Cyril told me,” admitted Marie.

Billy smiled.

“Didn’t like it, I suppose; eh?” she queried
shrewdly.

“N-no, I’m afraid he didn’t–very well .  He
said she’d be–one more to be around.”

“There, what did I tell you?” dimpled Billy.
“You can see what you’re coming to when you
do get that shaded lamp and the mending basket!”

A moment later, coming in sight of the house,
Billy saw a tall, smooth-shaven man standing on
the porch.  The man lifted his hat and waved it
gayly, baring a slightly bald head to the sun.

“It’s Uncle William–bless his heart!” cried
Billy.  “They’re all coming to dinner, then he
and Aunt Hannah and Bertram and I are going
down to the Hollis Street Theatre and let you and
Cyril have a taste of what that shaded lamp is
going to be.  I hope you won’t be lonesome,”
she finished mischievously, as the car drew up
before the door.

Eulalie

by Edgar Allan Poe
               I dwelt alone
               In a world of moan,
           And my soul was a stagnant tide,
  Till the fair and gentle Eulalie became my blushing bride–
  Till the yellow-haired young Eulalie became my smiling bride.
               Ah, less–less bright
               The stars of the night
           Than the eyes of the radiant girl!
               And never a flake
               That the vapor can make
           With the moon-tints of purple and pearl,
  Can vie with the modest Eulalie’s most unregarded curl–
  Can compare with the bright-eyed Eulalie’s most humble and careless
    curl.
               Now Doubt–now Pain
               Come never again,
           For her soul gives me sigh for sigh,
               And all day long
               Shines, bright and strong,
           Astarté within the sky,
  While ever to her dear Eulalie upturns her matron eye–
  While ever to her young Eulalie upturns her violet eye.

by Edgar Allan Poe

  I saw thee on thy bridal day–
    When a burning blush came o’er thee,
  Though happiness around thee lay,
    The world all love before thee:

  And in thine eye a kindling light
    (Whatever it might be)
  Was all on Earth my aching sight
    Of Loveliness could see.

  That blush, perhaps, was maiden shame–
    As such it well may pass–
  Though its glow hath raised a fiercer flame
    In the breast of him, alas!

  Who saw thee on that bridal day,
    When that deep blush would come o’er thee,
  Though happiness around thee lay,
    The world all love before thee.

by Emily Dickinson

The brain within its groove
Runs evenly and true;
But let a splinter swerve,
‘T were easier for you
To put the water back
When floods have slit the hills,
And scooped a turnpike for themselves,
And blotted out the mills!

Armies in the Fire

by
Robert Louis Stevenson

The lamps now glitter down the street;
Faintly sound the falling feet
And the blue even slowly falls
About the garden trees and walls.

Now in the falling of the gloom
The red fire paints the empty room;
And warmly on the roof it looks,
And flickers on the backs of books.

Armies march by tower and spire
Of cities blazing, in the fire;–
Till as I gaze with staring eyes,
The armies fade, the lustre dies.

Then once again the glow returns;
Again the phantom city burns;
And down the red-hot valley, lo!
The phantom armies marching go!

Blinking embers, tell me true
Where are those armies marching to,
And what the burning city is
That crumbles in your furnaces!

A Book

by Emily Dickinson

He ate and drank the precious words,
His spirit grew robust;
He knew no more that he was poor,
Nor that his frame was dust.
He danced along the dingy days,
And this bequest of wings
Was but a book. What liberty
A loosened spirit brings!

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